The Posthuman Dada Guide: Tzara and Lenin Play Chess (The Public Square Book Series)

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  1. The Posthuman Dada Guide: Tzara & Lenin Play Chess (Public Square)
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  3. Books Received | boundary 2 | Duke University Press

Codrescu, who is a frequent NPR commentator as well as a poet, novelist, and critic, succeeds in merging popular communication with scholarship.

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Closely tuned to the short duration of the posthuman attention span, he is a consummate entertainer, both at the podium and on the page. Simply beautiful. So much beautiful that it even supports my hypothesis that the best books I read are the ones that accidentally fall into my hands.

The book's or the author's, I should say, but who knows and who cares; authors hide behind the books understanding of European history, of Dada, of war and art and identity are just beyond normal boundaries. It uses a number of anthropologically meaningful concepts, like time, technology, borders, body or e-body. Don't forget the vampire-bodies Simply beautiful. Don't forget the vampire-bodies too and religion.

Then, you read about these concepts as they are magically embedded in a discussion of Dada and avant-garde art and history. Codrescu has a way with definitions and sharp adjectives. Adjectives as sharp and funny as Codrescu's voice. This is one of the most magical books I've ever read.

The Posthuman Dada Guide: Tzara & Lenin Play Chess (Public Square)

But again, who knows, this was perhaps mainly because of the humor in Codrescu. It was beautiful because, in the book, knowledge and humor came together and they both turned Dada. Feb 19, Tosh rated it it was amazing. The author doesn't see it as a movement of the past, but rather as a living statement on the aesthetics and affairs of the world today.

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Interesting comparisons between Lenin's world and the world of Tristian Tzara. View 1 comment. Jan 07, Alvin rated it really liked it. This mind-bendingly clever meditation on the contradictions between Dada and communism is intimidatingly erudite, sometimes bafflingly opaque, frequently witty, and basically right about everything. Nov 16, Fred Sampson rated it it was amazing. I'm really glad I picked this up from the used-book stacks at Bookshop Santa Cruz a few months ago. And I'm pleased that it turns out to be much more about Dada than about post-humanism. I've harbored an interest in Dada since my first encounter, probably in conjunction with Surrealism, many years ago we're talking college freshperson era here.

I also suspect that my early interest in Zen coincided with my discovery of Dada. Codrescu reacquainted me with some Dada history and characters, fille I'm really glad I picked this up from the used-book stacks at Bookshop Santa Cruz a few months ago. Codrescu reacquainted me with some Dada history and characters, filled in some blanks, filled others with fiction -- for instance, the chess game of the title -- and reinvigorated my love of the seminal anti-art form of the last century.


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  6. The Posthuman Dada Guide: tzara and lenin play chess!

A fun ride in an innovative format. Let the play continue! May 15, Christina rated it it was ok. I feel unqualified to comment. Beyond my pay grade. Sep 17, David Williamson rated it liked it Shelves: art. The Posthuman dada guide another guide to dada, another guide that doesn't really work. The book deploys some dada tactics with the book consisting of the text, quasi-glossary and notes, which creates the reader to continually flip back and forth through the book. A mixture of grand and micro histories. The question of history.

Story of a little boy who wanted to play Chess

It all feels a little dull. The book could and should talk more on its ideas of the Posthuman, and how dada can infiltrate today. It just seems that w The Posthuman dada guide another guide to dada, another guide that doesn't really work. It just seems that whenever these books on dada seem to be saying something, or is asked something, it recoils into nonsense, which is a part of dada, but it gets repetitive and apparently intentional evasive ie predictable, which is apparently anti-dada.

If dada truly has only nothing to say, why is there so many books about it? This is the problem, I can't help thinking that dada is a cultural chimera, a dead end. The use of subversion, even absurdity can be meaningful, or at least powerful Camus, Derrida, Duchamp, etc and the self destructive nature of dada are all valid or essential responses to the 'modern' world, but perhaps dada can not be translated into any theory, or just plain translated outside of poetry and anarchy.

Nov 02, James rated it really liked it Shelves: art , history-of-ideas. This is a small book that provides a lot of information and good reading.


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But it is also a work of sardonic humor following its themes across almost an entire century. The author shows how Dada, which eschewed the future and art, had the unintended impact of begetting all manner of art movements, from Surrealism to Abstract Expressionism to the liter This is a small book that provides a lot of information and good reading. The author shows how Dada, which eschewed the future and art, had the unintended impact of begetting all manner of art movements, from Surrealism to Abstract Expressionism to the literary style wrongly known as "post-modernism" -- Vonnegut, Barth, Heller, Barthelme, etc.

In the end, Codrescu assures us, art can remain a redemptive force in a world in which the Posthuman has overtaken all other movements and philosophies. As we watch our world steadily become digitized, the general stance of Dada might be exactly what we need. Feb 04, Ian Forsyth rated it really liked it Shelves: historical , bohemians , avant-garde , scholarly.

The opener is Verbal metaphoric pun-heavy historic-anecdotish whirligig-pop-scholarly gymnastics: thoroughly entertaining and deserves a 5. Then it becomes more regular somewhat. The mushrooming of Starbucks in the US has not so far produced many intellectuals. May 04, Mike rated it it was amazing Recommends it for: pre- and post-humans.

Codrescu strikes just the right tone, like a flower growing in hell, for this retrospective on Dada. If ye wish to live well without being wealthy then this guide — equal parts history, philosophy, and art — may be right for you. I've lent this book to two friends so far. The results have been mixed: 1 "Please don't lend me any more books" and 2 "I kept laughing out loud while reading it! Both reactions were pleasing to me. Feb 02, Andrew rated it liked it.

There are some parts that are awfully clever, and a fun play of ideas. A good showplace for the power of satire and some post modern dada play. Then there's a lot of really trivial history of the Dadaist and related movements. Where did they hang out? Who knew whom? A bit tabloid-ish. Call it a 3-star worth reading. Feb 05, Prooost Davis rated it really liked it. Excellent history of dada, some European cultural history. One point off for Codrescu's use of the phrase "scientific priesthood. Feb 28, Shanley Marie rated it it was amazing. Your protagonist Peter Leroy is very much a kin of those two characters.

Is this American thing essential to your narrative mechanics? Or put another way, how is your prose like a homemade airplane? Eric Kraft I have to give you two answers. Because this novel is a false memoir, I have to answer first for the memoirist, Peter Leroy, and then for myself. He makes the aerocycle from parts of wrecked motorcycles, aluminum tubing salvaged from folding tables and beach umbrellas, and fabric from tents and tarpaulins—and it never gets off the ground.

His building mania may be a peculiarly American folly: a can-do attitude resting on a foundation of complete ignorance. My novel is something different from that flightless aerocycle, I hope. I have the advantage over Peter of having learned from his mistakes.

Books Received | boundary 2 | Duke University Press

His memoir is a part of my novel. AC Is that how you see Flying , as a romance? Faustroll is another matter; when I first encountered it, it infuriated me. I was a student, and I was very, very serious about everything back then. Now, although it still annoys me, I can say that Faustroll first made me begin to see that humorous art could be as rich a response to life as serious art could be—not for very serious me, of course, but possibly for someone I might invent.

I gave Peter the name Leroy because I knew that his egoism was going to be one of his outstanding traits.

Like every other memoirist, he thinks that he rules the kingdom of his past, that in that realm what he says goes, and what he wishes had been can be made to appear to be what was. Here and there throughout his memoirs he appears under several variations of his name. AC laughter You are one of perhaps three American writers whose joy in writing is immediately apparent and contagious. Many well-known American writers have made depression, despondency, and anger an ur-ground for their work, and they seem to have the attention of critics.